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All dates
Films on Loop Programme
Underwater Painting by Yannis Maniatakos, 2012; Fragments by Ghassen Chraifa, 2020; No More Front Tears by Laure Prouvost, 2022
Underwater Painting by Yannis Maniatakos, 2012
Greece
Super 8 transferred to digital video
21 min 15 sec
Courtesy of Yiannis Maniatakos and Rodeo, London / Piraeus
Yannis Maniatakos painted each of his paintings underwater, several meters deep. The artist has created numerous works which are seabed landscapes from various regions of Greece. The video presents Yannis Maniatakos during his creative process. To achieve painting underwater, the artist developed different pictorial techniques that he continued to improve throughout his career. His paintings bear witness to his fascination with the seabed and the calm that reigns there, as well as the feeling of sublimity that these extraordinary places confer.
Ghassen Chraifa
Fragments by Ghassen Chraifa, 2020
Tunisia
6 min 29 sec
Courtesy of the artist, Supported by KLF, Tunis
Life is a constant race against the clock, in which everything is planned in advance. Everything is tied to a specific chronological order, and we're just chasing it to catch up. Everything is put to the test, until it slows down. What if we decided to stop for a moment? What if we paused to appreciate the present moment, however insignificant it may seem?
Fragments aims to highlight the poetry to be found in the simplicity of everyday life. To record moments in everyday life that escape the frenetic pace of the daily, and to capture details that so often evade our gaze.
No More Front Tears, by Laure Prouvost, 2022
France
2min 50 sec
Commission by CIRCA
Courtesy of the artist and galerie Nathalie Obadia (Paris and Brussels), carlier |gebauer (Berlin and Madrid) and Lisson gallery (London, New York and Shanghai).
Could we be birds, marine animals that belong to no nation? Free to follow our own migratory routes? This work addresses urgent questions of survival on earth, such as other-than-human and human rights. The video suggests the possibility of becoming each other in empathy with all materiality. Could we become a bird flying across continents or an octopus swimming across oceans by thinking through touch? Could we imagine migration routes for all species, human and non-human? Could we, who belong to one world, dream of no more forehead tears?
Laure Prouvost
Practical information
Address
Riva Sette Martiri, Venise, Italie
Accessibility
Dates and times
Safety
ADDITIONAL INFORMATION
EXPERIENCES On board
Immersive exhibition "Présentes
Created with the exceptional collaboration of the Musée du Louvre, this exhibition highlights female figures in Mediterranean civilization, thanks to the digitization and modeling of part of the Louvre's collections. A two-stage experience: an introductory film to provide context, followed by an immersive experience in a 16-meter-long tunnel covered by 120 m2 of LED screens.
A sound journey through the Mediterranean
An immersive sound experience designed by Ircam, inviting the public to explore the richness and diversity of the Mediterranean through headphones equipped with spatialized sound.
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© Elisa Von Brockdorff
The artists
Frequently asked questions
Yes, the boat is freely accessible on site. However, you can pre-book your time online on our website.
For reasons of safety and preservation of the boat, high heels and stilettos may not be worn on the boat.
The museum boat is open to all free of charge. To find out on which quay it will be moored, or to pre-book your slot, consult the page dedicated to your town.
Appropriate facilities have been set up on the Festival site for the reception and access of people with reduced mobility. The boat is equipped with a 1m-wide ramp, accessible to people with reduced mobility, but may require the accompaniment of a third party due to its gradient of over 6%. Access to the aft deck and immersive exhibition is possible. However, the upper deck is not accessible. Please inform us in advance of any special accessibility requirements, so that we can make the necessary arrangements.