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Tina Gverović: Rising Levels
Rising Levels is a sketch for a totem-like ready-made object. A proposal for a new temporary public sculpture by Tina Gverović exploring the interplay between materials, social practices and intercultural contexts. Inspired by the Endless Column by Constantin Brancusi, it is built up as a stack of both found objects that find its place in the city, the port with new prefabricated or bought.
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Tina Gverović: Rising Levels
Rising Levels, a sketch of a ready-made object resembling a totem. A proposal for a new temporary public sculpture by Tina Gverović exploring the interaction between materials, social practices, and intercultural contexts. Inspired by Constantin Brancusi's Endless Column, it consists of a stack of found objects that have found their place in the city and the port, and prefabricated or purchased objects.
It is built up as a stack of found objects that receive their new place in the city, on the streets, the construction works, the port, playgrounds, parks or squares, together with prefabricated objects bought in specialized stores (cables, pipes, different props). The layered structure of this work reminds of the primary use of the objects we recognize, evoking their materiality, history and different processes going on in the urban environment of a port city.
Tina Gverović
Tina Gverović diplomirala je slikarstvo na Akademiji likovnih umjetnosti u Zagrebu 1997., nakon čega je završila poslijediplomski studij na Akademiji Jan van Eyck u Maastrichtu i doktorirala na sveučilištu Middlesex u Londonu. Uz Marka Tadića, godine 2017. bila je predstavnica Hrvatske na Venecijanskom bijenalu. Voditeljica je odjela za skulpturu na Camberwell College of Arts.
Gverović has taught at the Slade School of Fine Art, the Dutch Art Institute Roaming Academy, and the WHW Academy in Zagreb.
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Practical information
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Musée d'art moderne et contemporain - MMSU, Krešimirova 26c
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ADDITIONAL INFORMATION
EXPERIENCES On board
Immersive exhibition "Présentes
Created with the exceptional collaboration of the Musée du Louvre, this exhibition highlights female figures in Mediterranean civilization, thanks to the digitization and modeling of part of the Louvre's collections. A two-stage experience: an introductory film to provide context, followed by an immersive experience in a 16-meter-long tunnel covered by 120 m2 of LED screens.
A sound journey through the Mediterranean
An immersive sound experience designed by Ircam, inviting the public to explore the richness and diversity of the Mediterranean through headphones equipped with spatialized sound.
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© Elisa Von Brockdorff
The artists
Frequently asked questions
Yes, the boat is freely accessible on site. However, you can pre-book your time online on our website.
For reasons of safety and preservation of the boat, high heels and stilettos may not be worn on the boat.
The museum boat is open to all free of charge. To find out on which quay it will be moored, or to pre-book your slot, consult the page dedicated to your town.
Appropriate facilities have been set up on the Festival site for the reception and access of people with reduced mobility. The boat is equipped with a 1m-wide ramp, accessible to people with reduced mobility, but may require the accompaniment of a third party due to its gradient of over 6%. Access to the aft deck and immersive exhibition is possible. However, the upper deck is not accessible. Please inform us in advance of any special accessibility requirements, so that we can make the necessary arrangements.