Barcelona

Top Manta proposes an afternoon of conversation, workshops and music to talk about the Mediterranean as a border, not as a tourist postcard. Based on the migrant experience, and from screen printing and sewing with recycled African fabrics, the proposal connects culture, anti-racism and social and solidarity economy to defend decent work and life without borders.

Adrasha’s project mebrat / መብራት explores the figure of the lighthouse as a symbol of guidance and border, translating its pulses of light into rhythms. Through field recordings, visual poetry, and personal archives, she articulates soundscapes that address displacement, communication, and belonging from a political and sensory perspective.

The show takes its title from a song by Ibrahim Hesnawi, a Libyan reggae pioneer who started a musical movement that suffered political violence after Gaddafi's "Cultural Revolution" in the 1970s, when music was produced exclusively to serve the ideological propaganda of the state. The collaboration between Libyan artists Tewa Barnosa and boo.m is a sonic quest to explore reggae as a site of resistance in a time when pan-African solidarity is eclipsed and punished by imperial systems.

NDOX AK NDOX is a sound performance based on the successive journeys of people from West and North Africa across the Atlantic and the Mediterranean, connecting paths that represent both hope and tragedy. PASAPORTEMAN treats these waters as a body in a coma. Through sound, and accompanied by the artists Nusmaïl (Jokkoo), opo (Jokkoo), and 3xOJ (Rahgoul), he seeks to honor and revive this body so that it can tell its stories.

The Mediterranean is often a hostile border, but also a point of cultural convergence between continents. 14 kilometers of Mediterranean Sea, at its narrowest point, separate the African continent from the European one. This musical session, structured as a story, explores the African musical genres that filtered into western homes and dance floors with sounds arriving from the south, often reinterpreted through an increasingly diverse and growing diaspora at the end of the last century and the beginning of this one.

A speculative game based on direct observation of the entire ecosystem that exists within water. What lives in the sea? What landscapes does it create? How many different creatures live in the water? What are they like and how do they move? We will draw the landscape of living beings that cannot be seen with the naked eye, a garden of microorganisms, a new science-fiction planet

A speculative game based on direct observation of the entire ecosystem that exists within water. What lives in the sea? What landscapes does it create? How many different creatures live in the water? What are they like and how do they move? We will draw the landscape of living beings that cannot be seen with the naked eye, a garden of microorganisms, a new science-fiction planet

A visual and sonic symphony that immerses us in the mysteries of the deep sea, while also becoming an ode to imagination and creation. Based on a film by the artist Rosa Tharrats aboard a ship on an expedition with the Schmidt Ocean Institute, the performance includes a soundtrack created in situ, in a process of dramatic and musical improvisation led by musician Mau Boada (Esperit!), singer Clara Enrich-Genestar, and poet Gabriel Ventura.

On this occasion, Ikram Bouloum reappropriates her technique as a selector to present "Grief and grievance: listening as learning", a listening session in which she traces a journey through different musical genres and sound archives, entering into dialogue with her referents and opening up space for new superpositions to address questions of poetic belonging.