Barcelona

Black Med listening session is a performance combining a video screening and a live mixing session by Invernomuto (Simone Bertuzzi and Simone Trabucchi). The project explores the trajectories that sounds trace as they travel across the Mediterranean in sonic form. We inaugurate the IX chapter, produced for the Art Explora Málaga Festival, created in relation to the sounds of the southern Iberian Peninsula and their possible echoes in other parts of this sea. From the Cantigas de Santa Maria to Algerian raï, via Lole y Manuel or the urban phenomena of rappers such as Huda.

Stories from around the world that open our imagination and understanding, told by storyteller Marieta Sánchez. 

Dorita cannot imagine the adventure that awaits her today. Almost without realizing it, she finds herself in the land of Oz, a place ruled by witches, where money does not exist and all beings are treated equally. To return home, she must find the Witch of Oz by following a path of socks that will lead her to her. Will you join us on this adventure? 

Subacuática is a live sound performance created from recordings made by participants in the workshop “Submerged Sounds.” The workshop offers a listening and sound exploration experience designed for family audiences. Through a journey across different spaces near the sea, we experiment with underwater microphones to discover new sounds: underwater soundscapes. The piece combines melodic, rhythmic, and ambient moments to shape a constantly evolving sonic landscape. It is an invitation to pause, listen, and be carried away by the hidden textures of the underwater world, giving value and visibility to sounds recorded collectively.

Beirut Birds (طيور بيروت) is a sonic memory capsule honoring (inter)personal stories of migration, displacement, and the cyclical turbulent circumstances in Lebanon. Transforming her multi-year project, multidisciplinary artist and composer Nour Sokhon crystallizes the performance Beirut Birds (طيور بيروت) into her long-awaited debut album. When presented and performed live, it is accompanied by juxtaposed images of the Lebanese capital’s city life and avian migration across the Mediterranean Sea, representing themes strongly woven into the music.

Ngomez Nokass, a renowned Senegalese percussion and dance group based in Barcelona and specializing in traditional rhythms such as sabar, djembe, and mbalakh, will officially open the festival. Originally formed by eight members and now expanding to over 15, the group fuses traditional Senegalese percussion with the energy of dance, offering vibrant performances filled with rhythmic patterns that are part of a long and rich cultural heritage.

Opening on Thursday, March 26, starting at 5 p.m. Free admission.

Amman-born and Barcelona based for the last years, Miramizu is an expert in fusing disparate musical worlds into vibrant journeys. Drawn to contrast, she thrives on the friction between softness and impact, light and low-end, emotion and electricity. For her dj set at Art Explora, she will guide audiences on a sonic journey inspired by the Mediterranean, navigating textures, rhythms, and cultural echoes that reflect our shared landscape and collective experience

res_ (antes res_és_nostre) is a sound art duo that investigates the intersection between electronic music, language and visual arts, understanding sound as cultural, historical and political material. For Art Explora they present a live show based on the sampling of medieval catalan choirs, whose voices are fragmented and processed electronically, generating a dialogue between archive, technology and collective body. Their performance will be joined by 40 singers from the Canigó Choir.

Thriving on unpredictability, whether at a festival or an intimate club, mad miran’s connection to rave culture and unique blend of electronic beats guarantee a mesmerizing performance every time, marking her as one of the most exciting DJs to watch.

Naïm Gnawa Ensemble is a Moroccan traditional music ensemble based in Barcelona, specializing in the Gnawa repertoire. Led by maâlem Naim Issawa, the group performs in a large collective format rooted in ritual practice, combining percussion, ghaita trumpets and choral voices. Their music creates a shared, ceremonial experience where rhythm, repetition and collective energy play a central role.