Barcelona

A visual and sonic symphony that immerses us in the mysteries of the deep sea, while also becoming an ode to imagination and creation. Based on a film by the artist Rosa Tharrats aboard a ship on an expedition with the Schmidt Ocean Institute, the performance includes a soundtrack created in situ, in a process of dramatic and musical improvisation led by musician Mau Boada (Esperit!), singer Clara Enrich-Genestar, and poet Gabriel Ventura.

On this occasion, Ikram Bouloum reappropriates her technique as a selector to present "Grief and grievance: listening as learning", a listening session in which she traces a journey through different musical genres and sound archives, entering into dialogue with her referents and opening up space for new superpositions to address questions of poetic belonging.

In this creative workshop, children will design and create postcards from an imaginary journey across the Mediterranean. By drawing and collaging landmarks, landscapes, and motifs from various Mediterranean countries, and writing a short message on the back, they will discover the region’s rich diversity of cultures, languages, and traditions. The activity encourages imagination, artistic expression, and basic literacy through a simple yet imaginative format.

”Winds know what maps have forgotten” is a hands-on, immersive workshop where sound, maps, and imagination meet. Participants inhabit a large floor map of the Mediterranean to create wind-inspired soundscapes, stories and speculative narratives.

La Bissaperie is a collective invocation of Frantz Fanon's memory through a shared reading of his texts and the preparation of bissap, a hibiscus flower drink. I propose a friendly and horizontal meeting place focused on the revolutionary ideas of the thinker and a platform for people to connect with their identity, heritage and community.

In our time of fake news, disinformation, and political manipulation, the difference between truth and lies seems increasingly unclear. Artificial intelligence can distort our perceptions, and social media encloses us in bubbles that destroy the very idea of a shared reality. In this world, what place does fiction occupy—the old craft of telling stories that never happened? Can novels contain more truth than reality as we see it? The Colombian novelist Juan Gabriel Vásquez proposes a conversation about our relationship with invented stories in an increasingly uncertain world.