Piraeus - Athens

A tattoo workshop using posca markers, exploring the themes of the sea and the ocean, led by artist Louise Ganot, for children and families.

Un atelier de création de cartes postales autour de la mer pour les familles, inspiré des œuvres du Musée d'art moderne André Malraux - MuMa. À partir de chutes de voiles, les participants créent leurs propres petits bateaux sur fond de carte postale bleue.

Exhibition Ballroom, led by Kiddy Smile and the House of Gorgeous Gucci, offers an immersion into the world of the balls. Through iconic categories such as Vogue Femme and Runway, the members of the house reveal the artistic and technical richness of this culture. Between performance, runway and self-expression, the piece celebrates the energy, creativity and sense of community at the heart of ballroom, and introduces the audience to the codes of a living culture, demanding and profoundly inclusive.

Prélude unleashes a vital breath at the heart of public space. A raw and fraternal hip-hop dance piece where struggle, momentum and breath come together. Nine dancers from Accrorap Company, under the direction of choreographer Kéader Attou, embody the energy of a humanity standing tall, balancing resilience and the joy of sharing, to the electro-acoustic music of Romain Dubois.

Jana Saleh’s current work focuses on exploring, adapting and promoting the sounds and music of the SWANA region (South-West Asia, North Africa and the North-East).

Fratelli Disco is a DJ duo from Le Havre, blending disco, house and festive electronic influences. Through warm, danceable DJ sets, the duo explores a groovy selection inspired by the clubs and dancefloor cultures of late-1970s Italy.

Spontaneous Symphony for Barrels is a participatory sound happening where oil barrels and self-made instruments are offered to the audience as percussive objects, played with drumsticks. The performance unfolds as a spontaneous act—an impulsive eruption of sound without premeditation or external prompt. Rhythm and tempo emerge organically through the collective dynamics of the audience, transforming participation into process.

Antonis Vais, in collaboration with 12 performers of the ASFA Laboratory 12 (Professor Poka Yio), reclaim the pier of Gate E8 at the port of Piraeus. In this land’s edge, whose only border is the sea, they wish to reposition corporeality at the core of site-specific research. Seeking ways, situations, and conditions in which the individual, as part of a larger whole and as a unit, relates to the arrival, departure from, and stay in intermediate places of temporary habitation – such as the port – they activate a perpetual movement: that of the multitude, whose function aims to overemphasize the importance of transience.