Piraeus - Athens

DJ Set spanning alternative hip-hop, experimental electronic music, and soulful songwriting, Awir Leon is a musician and composer who made a name for himself in music after a career as a dancer, notably with Emanuel Gat. This dual background gives his music a singularly physical sense of rhythm. For the past ten years, Awir has been composing the music for Amala Dianor's shows.

A guided tour to explore the traces of Le Havre’s colonial history in the urban landscape. A journey that invites you to gain a deeper understanding of the past and its echoes in the present.

An interactive workshop to discover the history of the slave trade and slavery. An approach adapted for children to share local history and encourage discussion.

A workshop for families where participants rework a photograph using paint or engraving tools to highlight the disappearance of coral reefs (ages 5 and up)

A play performed by students from the drama class of the Conservatoire Arthur Honegger. A 1h45 performance, for ages 14 and up.

To celebrate its 350th anniversary, the Opéra National de Paris has entrusted Clément Cogitore with staging Jean-Philippe Rameau’s opera ballet, «Les Indes Galantes». The premiere took place in September 2019. «Les Indes Galantes» was selected by The New York Times as one of the best opera productions of 2019, nominated best opera production 2019 by the Giornale della Musica and won the Forum Opera trophy of the best new opera production 2019. In 2020, Oper! Awards presented him with the prize for best director.

A dystopian workplace at the Perama shipyards, where a longstanding ban on physical contact has turned human interactions into otherworldly simulations. The suppression of touch among the workers has alienated their communication, transforming the boatyard into a charged landscape of alienation and repressed sensuality beyond stereotypical heteronormative desires.

Εύα Στεφανή, Χαίρε, 2024, 2’ 23”
Μοντάζ: Παναγιώτης Παπαφράγκος, Αφήγηση: Εύα Στεφανή, Γυναίκα: Λουίζα Ντούρου

Μια νηρηίδα επιπλέει σε μια ηλιόλουστη, αμμώδη παραλία. Σα σύγχρονη Οφηλια, αφήνει το νερό με κλειστά μάτια να την παρασύρει, ενώ οι εκκλησιαστικές καμπανοκρουσίες που την περιβάλλουν μετατρέπονται σταδιακά σε αμανέ, σε ρεμπέτικους αχούς και προσευχή. Μια γυναικεία φωνή απευθύνεται ψιθυριστά στη Θεοτόκο, μέσα από ένα επαναλαμβανόμενο μάντρα που μετουσιώνει τον Ακάθιστο Ύμνο και την εμπειρία θέασης του έργου σε μυσταγωγική ιεροτελεστία. Σε ένα διαλογισμό για την εξιλέωση, την κάθαρση και τη φύση, για το νερό που μας φέρνει πίσω τις μητέρες μας, όπως χαρακτηριστικά έχει γράψει ο Gaston Βachelard (1942).

Ευγενική παραχώρηση της καλλιτέχνιδας και του PCAI