Piraeus - Athens

Since 2013 in Le Havre, marine creatures have been leaving the murky waters to gradually colonise the urban landscape… Beyond the element of surprise and the questions these strange animals may raise among passers-by, the aim is to breathe new life into naturalist drawing (rarely seen in museums, as it remains undervalued) and to play on the ambiguity between science and art. By displaying crustaceans, molluscs and often uncommon fish, they are given a chance to reveal their beauty to the wider public. The choice of walls is by no means arbitrary: colour, texture, format, exposure and location all add a new dimension to each illustration.

Emmanuelle and Ghislain will share with the audience their experience as co-founders and co-directors of a deep-sea scientific expedition program. They will focus in particular on Under The Pole’s latest expedition, conducted in the Antarctic Peninsula from December 2025 to March 2026, in collaboration with the CNRS as part of the DeepLife scientific program. The conference will be followed by a book signing session for their new book, "Sub Antarctica,"which recounts this extraordinary adventure.

Imagine a film about police brutality, with no brutality. A film where nothing happens, yet you’re left baffled. Invisible violence, disguised under lawful humiliation. Domination wrapped in polite protocols. I started talking about making this short film back in 2018, but the idea of it was haunting me, probably since the late 90s, when I started being constantly stopped by the police for “random identity checks”. I felt a certain urgency to tell this very personal story.

JOKKOO Soundsystem originated in parties in the squares of Barcelona and, despite going global, aims to stay true to its roots by creating accessible spaces to share black experimental and electronic music and exchange effervescent energies with the audience.

Since 2022, the Maison des Jonglages and the Atelier du Plateau have joined forces to co-produce and present collaborative works as part of evenings dedicated to experimentation between the arts and sciences. Audiences are invited to step into a laboratory where researchers and artists engage in dialogue, then share their practices and knowledge through original forms at the intersection of art and scientific research.

Plastic Affair emerged from my experience as a diver in the Mediterranean and the Red Sea, where I have witnessed the growing presence of plastic pollution, even in protected waters. Triggered by images of marine life entangled in plastic waste, the performance examines the complex relationship between human activity and the natural world. Through movement, it invites audiences to consider how everyday actions shape the environments we inhabit. It is a solo performance in dialogue with a light plastic tarpaulin, a material that is as hypnotic as it is dangerous. Dance workshops will be offered in connection with the performance.

Antonis Vais, in collaboration with 12 performers of the ASFA Laboratory 12 (Professor Poka Yio), reclaim the pier of Gate E8 at the port of Piraeus. In this land’s edge, whose only border is the sea, they wish to reposition corporeality at the core of site-specific research. Seeking ways, situations, and conditions in which the individual, as part of a larger whole and as a unit, relates to the arrival, departure from, and stay in intermediate places of temporary habitation – such as the port – they activate a perpetual movement: that of the multitude, whose function aims to overemphasize the importance of transience.

For Untitled (Figures) Lenio Kaklea embraces everything that is queer in her through a catalogue of danced figures (the cowgirl, leather culture, disco and the figure of the sailor) and pays homage to the capacity of queer cultures, teaching us to love the female body.