Rabat

A tattoo workshop using posca markers, exploring the themes of the sea and the ocean, led by artist Louise Ganot, for children and families.

Un atelier de création de cartes postales autour de la mer pour les familles, inspiré des œuvres du Musée d'art moderne André Malraux - MuMa. À partir de chutes de voiles, les participants créent leurs propres petits bateaux sur fond de carte postale bleue.

Exhibition Ballroom, led by Kiddy Smile and the House of Gorgeous Gucci, offers an immersion into the world of the balls. Through iconic categories such as Vogue Femme and Runway, the members of the house reveal the artistic and technical richness of this culture. Between performance, runway and self-expression, the piece celebrates the energy, creativity and sense of community at the heart of ballroom, and introduces the audience to the codes of a living culture, demanding and profoundly inclusive.

Prélude unleashes a vital breath at the heart of public space. A raw and fraternal hip-hop dance piece where struggle, momentum and breath come together. Nine dancers from Accrorap Company, under the direction of choreographer Kéader Attou, embody the energy of a humanity standing tall, balancing resilience and the joy of sharing, to the electro-acoustic music of Romain Dubois.

Jana Saleh’s current work focuses on exploring, adapting and promoting the sounds and music of the SWANA region (South-West Asia, North Africa and the North-East).

Fratelli Disco is a DJ duo from Le Havre, blending disco, house and festive electronic influences. Through warm, danceable DJ sets, the duo explores a groovy selection inspired by the clubs and dancefloor cultures of late-1970s Italy.

Egyptian artist Mohammed Abdelkarim delegates his text We Shall Have a Bon Voyage which will be performed by slam poet Chaimaa Qaouioun and multi-instrumentalist musician Mourad Belouadi on the Bouregreg quay in front of the Art Explora boat.

An electroacoustic concert by Ahmed Essyad and Gilles Aubry at the Salle Gérard Philipe, Institut Français de Rabat. The concert programme highlights the convergence of traditional and avant-garde music in Morocco. Ahmed Essyad's electronic compositions, dating from the 1970s, evoke the popular music heard in Moroccan villages in the late 1950s. Gilles Aubry plays with modular synthesizers and an artificial intelligence sound generator. His piece is inspired by the song L'Makina by Haj Belaïd, a Chleuh raïss (poet-singer) from the 1930s.