Rabat

DJ Set spanning alternative hip-hop, experimental electronic music, and soulful songwriting, Awir Leon is a musician and composer who made a name for himself in music after a career as a dancer, notably with Emanuel Gat. This dual background gives his music a singularly physical sense of rhythm. For the past ten years, Awir has been composing the music for Amala Dianor's shows.

A guided tour to explore the traces of Le Havre’s colonial history in the urban landscape. A journey that invites you to gain a deeper understanding of the past and its echoes in the present.

An interactive workshop to discover the history of the slave trade and slavery. An approach adapted for children to share local history and encourage discussion.

A workshop for families where participants rework a photograph using paint or engraving tools to highlight the disappearance of coral reefs (ages 5 and up)

A play performed by students from the drama class of the Conservatoire Arthur Honegger. A 1h45 performance, for ages 14 and up.

To celebrate its 350th anniversary, the Opéra National de Paris has entrusted Clément Cogitore with staging Jean-Philippe Rameau’s opera ballet, «Les Indes Galantes». The premiere took place in September 2019. «Les Indes Galantes» was selected by The New York Times as one of the best opera productions of 2019, nominated best opera production 2019 by the Giornale della Musica and won the Forum Opera trophy of the best new opera production 2019. In 2020, Oper! Awards presented him with the prize for best director.

Egyptian artist Mohammed Abdelkarim delegates his text We Shall Have a Bon Voyage which will be performed by slam poet Chaimaa Qaouioun and multi-instrumentalist musician Mourad Belouadi on the Bouregreg quay in front of the Art Explora boat.

An electroacoustic concert by Ahmed Essyad and Gilles Aubry at the Salle Gérard Philipe, Institut Français de Rabat. The concert programme highlights the convergence of traditional and avant-garde music in Morocco. Ahmed Essyad's electronic compositions, dating from the 1970s, evoke the popular music heard in Moroccan villages in the late 1950s. Gilles Aubry plays with modular synthesizers and an artificial intelligence sound generator. His piece is inspired by the song L'Makina by Haj Belaïd, a Chleuh raïss (poet-singer) from the 1930s.