


Choir Praska
The choir Praksa nurtures antifascist values through music, performing songs that promote class solidarity and the overcoming of national barriers. Such songs have been empowering the marginalized and oppressed for centuries, advocating for a fairer life. Since the choir’s founding in March 2014, we have held over 200 performances in Croatia, Slovenia, Serbia, North Macedonia, Italy, Austria, France, Sweden and Spain.
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Praksa Choir
The choir Praksa nurtures antifascist values through music, performing songs that promote class solidarity and the overcoming of national barriers. Such songs have been empowering the marginalized and oppressed for centuries, advocating for a fairer life. Since the choir’s founding in March 2014, we have held over 200 performances in Croatia, Slovenia, Serbia, North Macedonia, Italy, Austria, France, Sweden and Spain.
We have released two albums and one songbook, and we are working on a third album dedicated to the militant repertoire of maestro Nello Milotti. This year, the choir celebrates its tenth anniversary – a decade of loud and unyielding resistance through song.
The idea of founding the choir emerged from a concrete social struggle – out of solidarity with the workers of knitwear factory Arena trikotaža and other affected collectives in Pula. The song Sebben che siamo donne, spontaneously sung at the time, became a symbol of resistance and the starting point for creating a choir that would gather people around the ideas of equality, freedom, and justice. From the start, Praksa was envisaged as a tool for social change, as a space where community is built through voices, and struggle is led by melody.
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©Photo Dejan Štifanić

©Photo Anna Gaspotić
Today, eleven years later, Praksa is not just a choir – it is a movement, a community, support, the voice of those who often have no place to tell their story. Without political affiliations, self-organized and joined in solidarity, the choir members persistently create a space where song becomes an act of resistance and remembrance, but also of hope. Their practice – in true sense of the word – becomes a model and encouragement for others to build a better world through song and solidarity.
Edna Strenja
Edna Strenja is the founder and conductor of the choir Praksa from Pula, Croatia. Since the choir’s establishment in March 2014, Edna has led workshops on protest songs in Toulouse (France), Malmö and Lund (Sweden), Vienna (Austria), Pula (Croatia), and New York (United States). She arranged the choir Praksa’s first two albums of protest songs, released in 2019, as well as Praksa Sings Mondine from 2022. She is currently working on the choir’s third album titled Struggle in the Songs of Nella Milotti. Besides protest songs, she has a particular interest in folk songs, especially those from the Balkan region. To deepen her knowledge, she has attended training at the EECF in New York, with maestro Stefčet Stojkovski in Macedonia, and with maestro Aleksandar Saša Karlić at the Venice Conservatory. Together with musician Dario Marušić, she participates in the project Musica affrescata, performing medieval songs on instruments depicted in frescoes found in medieval churches in Istria. She collaborates with international choirs and musicians.

©Photo Zlatko Gotovac
Practical information
Address
Quai Karolina Rijeka
Accessibility
Dates and times
Saturday, September 13, 8:30 pm to 9:20 pm
Safety
ADDITIONAL INFORMATION
EXPERIENCES On board


Immersive exhibition "Présentes
Created with the exceptional collaboration of the Musée du Louvre, this exhibition highlights female figures in Mediterranean civilization, thanks to the digitization and modeling of part of the Louvre's collections. A two-stage experience: an introductory film to provide context, followed by an immersive experience in a 16-meter-long tunnel covered by 120 m2 of LED screens.
A sound journey through the Mediterranean
An immersive sound experience designed by Ircam, inviting the public to explore the richness and diversity of the Mediterranean through headphones equipped with spatialized sound.
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© Elisa Von Brockdorff
The artists
Frequently asked questions
Yes, the boat is freely accessible on site. However, you can pre-book your time online on our website.
For reasons of safety and preservation of the boat, high heels and stilettos may not be worn on the boat.
The museum boat is open to all free of charge. To find out on which quay it will be moored, or to pre-book your slot, consult the page dedicated to your town.
Appropriate facilities have been set up on the Festival site for the reception and access of people with reduced mobility. The boat is equipped with a 1m-wide ramp, accessible to people with reduced mobility, but may require the accompaniment of a third party due to its gradient of over 6%. Access to the aft deck and immersive exhibition is possible. However, the upper deck is not accessible. Please inform us in advance of any special accessibility requirements, so that we can make the necessary arrangements.
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