
Other Reflexes
“Do you remember the sound of our click?” - D.G.
The performance Other Reflexes is an adaptation of Diana Georgiou’s novel of the same title that explores queer female experience during the ’90s in Limassol. Georgiou focuses on the violences (domestic, class, racial, gender, systemic) that our senses, and selves, can undergo growing up in such a context, but also on the inventive ways in which people can often cope with them.
All dates

Other Reflexes
“Do you remember the sound of our click?” - D.G.
The performance Other Reflexes is an adaptation of Diana Georgiou’s novel of the same title that explores queer female experience during the ’90s in Limassol. Georgiou focuses on the violences (domestic, class, racial, gender, systemic) that our senses, and selves, can undergo growing up in such a context, but also on the inventive ways in which people can often cope with them.

Other Reflexes
“Do you remember the sound of our click?” - D.G.
The performance Other Reflexes is an adaptation of Diana Georgiou’s novel of the same title that explores queer female experience during the ’90s in Limassol. Georgiou focuses on the violences (domestic, class, racial, gender, systemic) that our senses, and selves, can undergo growing up in such a context, but also on the inventive ways in which people can often cope with them.
"For us to start listening to each other, I will have to give you a biography of the senses, a detailed explanation of how my faculties were slowly distorted.” – excerpt from Other Reflexes, Diana Georgiou
Directed by Evita Ioannou, the performance enacts Georgiou’s novel Other Reflexes through selected excerpts from the book, interwoven with sounds and visual traces of the places it evokes and the senses it awakens. The narrator transports the audience across various temporalities and locations, letting us into her memoryscapes, from a 90s gay club in Limassol, where lots of stories and friendships blossomed, to the intimate private sphere of her home, where childhood was marked by the sound of domestic violence. The performance aims to bring to life a book so rich to the senses that it has touched our core.
Director: Evita Ioannou
Text: Diana Georgiou
Actress: Maria Masonou
Dramaturgy: Ioulita Toumazi
Performance: Maria Masonou
Music: Marianna Michael
Scenography: Seta Astreou-Karides
Sound design: Alexandra Astreou-Karide
Sound support: Demetris Kallasides
Diana Georgiou
Diana Georgiou is a writer, curator, and lecturer in the Department of Visual Cultures at Goldsmiths. Her recent texts focus on forms of violence and the difficulty of narrating them. Attentive to the sonic resonances of language, her writing also takes the form of recorded sound poetry and performative live readings. Her first novel, Other Reflexes, is published by Book Works, London.
Evita Ioannou
Evita Ioannou (born 1988, Limassol, Cyprus) is a director based in Limassol. She graduated from Goldsmiths, University of London with an MA in Theater and Musical Production and Direction, and from Royal Holloway, University of London with a BA in Media Arts. She has directed 5 Lesbians Eating a Quiche by Andrew Hobgood and Evan Linder in its first Greek translation (MITOS Performing Arts Center, 2021); The Nether by Jennifer Haley in a directed analogy format in its first Greek translation (Paraplevros Productions, 2020); The Cry of Tennessee Williams (Antilogos Theater, 2018); and Dark Vanilla Jungle by Philip Ridley, adapted and translated by her (MITOS Performing Arts Center, 2017). She has worked as Assistant Director and Production Manager on various theatre and film projects in Cyprus and abroad (eg. Cyprus Theatre Organisation & ETHAL). In 2014, she founded the production company Magic Anchor Productions in London.
Ioulita Toumazi
Ioulita Toumazi is an independent curator and writer from Cyprus. Her current research focuses on memory, archives, and language, particularly in the Cypriot context. She holds an MA in History of Art from UCL and a BA in Liberal Arts from the University of Kent. She co-founded and co-directs Fisherwomxn. Recent shows she (co)curated include: “Weaving our fishing nets residency” and “Radical Afterlives: Cyprus Movements Archive” at Thkio Ppalies, “The sky you kept for us: Lefteris Economou”, “P.S. x10” and “8 minutes 20 seconds: Vera Gabrielidou Hadjida” at Garage art space, “we can only begin to notice” and “Seeking roots” at NiMAC. She was also the project manager of various artistic projects, such as ‘The Broken Pitcher’ with Thkio Ppalies and ‘Christoforos Savva: Unbound’ at the Hellenic Centre in London. She was the artistic researcher for the Cyprus Pavilion at the 2025 Architecture Biennale in Venice.
Maria Masonou
Maria Masonou is an actress from Cyprus. She studied acting at the Fourth Monkey Actor Training Company in London (2019–2021) and earned a BA in Liberal Arts & Sciences from the University of Surrey (2016–2019). She also trained in contemporary and classical ballet at Balletto di Toscana in Florence (2015–2016) and was a member of the National Youth Theatre in the UK (2022–2024). She has performed in theatre productions including Red Sky Morning (dir. Paris Erotokritou), Constellation of Awakening, and Katabasis (dir. Nefeli Kentoni). In collaboration with Amfidromo Dance Theatre and Elena Christodoulidou, she took part in works such as En Krypto, Chaos, and Goodbye Beaches. In London, she worked with Threedumb Theatre and director Stephen Smith in Notre Dame and Fire, Embers, Ash, and created her solo piece InACTION, presented at the Resolution Festival. Her film work includes the short films Fragility of Language (winner of first prize at Leeds International Film Festival) and What’s Mine is Mine. With the Cyprus Theatre Organisation, she has appeared in The Phoenician Women (dir. Magdalena Zira) and Homer’s Odyssey(dir. Panayiotis Larkou), and will perform in an upcoming Experimental Stage production directed by Evita Ioannou.

Ioulita Toumazi
Practical information
Address
The Island Club, Anexartisias 30, Lanitis Arcade #34, Limassol 3036
Accessibility
Content warning: the performance deals with sensitive themes such as sexual assault and violence, which may be distressing for some people. This site is not accessible to people with reduced mobility.
Dates and times
Monday, October 27, 19:30 - 20:30 & 21:30 - 22:30
Safety
ADDITIONAL INFORMATION
EXPERIENCES On board


Immersive exhibition "Présentes
Created with the exceptional collaboration of the Musée du Louvre, this exhibition highlights female figures in Mediterranean civilization, thanks to the digitization and modeling of part of the Louvre's collections. A two-stage experience: an introductory film to provide context, followed by an immersive experience in a 16-meter-long tunnel covered by 120 m2 of LED screens.
A sound journey through the Mediterranean
An immersive sound experience designed by Ircam, inviting the public to explore the richness and diversity of the Mediterranean through headphones equipped with spatialized sound.
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© Elisa Von Brockdorff
The artists
Frequently asked questions
Yes, the boat is freely accessible on site. However, you can pre-book your time online on our website.
For reasons of safety and preservation of the boat, high heels and stilettos may not be worn on the boat.
The museum boat is open to all free of charge. To find out on which quay it will be moored, or to pre-book your slot, consult the page dedicated to your town.
Appropriate facilities have been set up on the Festival site for the reception and access of people with reduced mobility. The boat is equipped with a 1m-wide ramp, accessible to people with reduced mobility, but may require the accompaniment of a third party due to its gradient of over 6%. Access to the aft deck and immersive exhibition is possible. However, the upper deck is not accessible. Please inform us in advance of any special accessibility requirements, so that we can make the necessary arrangements.
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