Barcelona

Un atelier de création de cartes postales autour de la mer pour les familles, inspiré des œuvres du Musée d'art moderne André Malraux - MuMa. À partir de chutes de voiles, les participants créent leurs propres petits bateaux sur fond de carte postale bleue.

Exhibition Ballroom, led by Kiddy Smile and the House of Gorgeous Gucci, offers an immersion into the world of the balls. Through iconic categories such as Vogue Femme and Runway, the members of the house reveal the artistic and technical richness of this culture. Between performance, runway and self-expression, the piece celebrates the energy, creativity and sense of community at the heart of ballroom, and introduces the audience to the codes of a living culture, demanding and profoundly inclusive.

Prélude unleashes a vital breath at the heart of public space. A raw and fraternal hip-hop dance piece where struggle, momentum and breath come together. Nine dancers from Accrorap Company, under the direction of choreographer Kéader Attou, embody the energy of a humanity standing tall, balancing resilience and the joy of sharing, to the electro-acoustic music of Romain Dubois.

Jana Saleh’s current work focuses on exploring, adapting and promoting the sounds and music of the SWANA region (South-West Asia, North Africa and the North-East).

Fratelli Disco is a DJ duo from Le Havre, blending disco, house and festive electronic influences. Through warm, danceable DJ sets, the duo explores a groovy selection inspired by the clubs and dancefloor cultures of late-1970s Italy.

A reuse box customisation workshop inspired by the marine world, for all audiences aged 6 and over.

The proposal is entitled In the Depths and takes the form of a performative lecture. It begins with the real history of the Atlantic as a space of violence and memory: the slave trade, ports with a Black presence in Spain (Barcelona, Seville, Cadiz), and how this past has been silenced or fragmented. From there, it takes a creative leap into the realm of the imaginary: how artists such as Drexciya have paved the way for thinking about the ocean not only as a tomb, but also as an archive, as a place of possibilities and future.

Inspired by Nkisi’s ongoing research into the ethnographic music archives (1893 till present), ‘Serpent Songs’ invokes the serpentine movements of sound and the migratory paths of its vibrations. The musical composition delves into the psycho-acoustics inherited from ancient musical traditions. Here, music emerges as an enchanted consciousness; a vessel for its mythopoetic remembrance. Inspired by the primordial snake ancestors of these ancient traditions who shaped landscapes, rivers, and hills, ‘Serpent Songs' traces the trails of music they left behind.