Barcelona

DJ Set spanning alternative hip-hop, experimental electronic music, and soulful songwriting, Awir Leon is a musician and composer who made a name for himself in music after a career as a dancer, notably with Emanuel Gat. This dual background gives his music a singularly physical sense of rhythm. For the past ten years, Awir has been composing the music for Amala Dianor's shows.

A guided tour to explore the traces of Le Havre’s colonial history in the urban landscape. A journey that invites you to gain a deeper understanding of the past and its echoes in the present.

An interactive workshop to discover the history of the slave trade and slavery. An approach adapted for children to share local history and encourage discussion.

A workshop for families where participants rework a photograph using paint or engraving tools to highlight the disappearance of coral reefs (ages 5 and up)

A play performed by students from the drama class of the Conservatoire Arthur Honegger. A 1h45 performance, for ages 14 and up.

To celebrate its 350th anniversary, the Opéra National de Paris has entrusted Clément Cogitore with staging Jean-Philippe Rameau’s opera ballet, «Les Indes Galantes». The premiere took place in September 2019. «Les Indes Galantes» was selected by The New York Times as one of the best opera productions of 2019, nominated best opera production 2019 by the Giornale della Musica and won the Forum Opera trophy of the best new opera production 2019. In 2020, Oper! Awards presented him with the prize for best director.

“Pulso y Horizonte” is an instrumental project led by Pedro Javier González, one of the most respected guitarists on the contemporary Spanish music scene. Flamenco, jazz, world music and improvisation converge in an open, celebratory proposal inspired by the Mediterranean, where rhythmic pulse and collective dialogue shape a vibrant and highly communicative musical experience.

The Drought: An Oasis is a contemporary flamenco performance that brings together dance, live guitar, and flamenco singing (cante) to explore themes of water, drought, and migration. Originally created in Southern Spain, this new version of the piece is now presented in Catalonia, while keeping its strong Andalusian roots.
The show reflects on the historical impact of Francoist hydraulic policies, including the Badajoz Decree, and on the migration of Andalusian working-class communities who moved to Catalonia to work in industry and construction. These histories are translated on stage through flamenco music and movement. Some of the lyrics are sung in Catalan, alongside Spanish, as a symbolic gesture that connects flamenco with the linguistic and cultural reality of Catalonia and Barcelona. On stage, the performance features flamenco dance, live guitar, and cante, combined with a strong visual dimension. The final part of the piece takes the form of a “final de fiesta” inspired by Rumba Catalana, bringing collective energy, rhythm, and celebration to the stage.