Barcelona

G.R.O.O.V.E. is a promenade performance infused with the artistic approach of Bintou Dembélé. Screenings of short films about marginalized, subversive cultures, along with performances, take over the inviting space. Guided by the voice of Célia Kameni, the audience is invited to immerse themselves in the guitar and lap steel of Charles Amblard, and to follow. Together, they transform the space, inviting you to join them and celebrate.

Meech De France presents a vibrant DJ set, rooted in house music, hip-hop, Afro-diasporic rhythms and soulful electronic sounds. Blending rare grooves, powerful percussion and dancefloor classics, he crafts a collective journey where music, movement and memory converge. An intense set, designed for listening, dancing and sharing.

As part of the Art Explora Festival, CinéMo welcomes César Award-winning filmmaker Abderrahmane Sissako to Le Havre for a unique cinematic experience: a free virtual reality screening followed by an exclusive discussion with the director of one of the two immersive films presented, as part of the TRAVERSE network.

A fun discovery workshop exploring Le Havre's Industrial-Port Area for the whole family, ages 7 to 77. Facing a huge satellite photo, place jobs, ships, goods, and infrastructure in the right spots, guided by our facilitators.

Meet Frédéric Denise, architect, founder of the Archipel Zéro agency and volunteer on the earth-building site, together with Pierre Bouysset, architect and urban planner at the URBS! collective, as they share the origins and projects of Le Hangar Zéro

A reuse box customisation workshop inspired by the marine world, for all audiences aged 6 and over.

The proposal is entitled In the Depths and takes the form of a performative lecture. It begins with the real history of the Atlantic as a space of violence and memory: the slave trade, ports with a Black presence in Spain (Barcelona, Seville, Cadiz), and how this past has been silenced or fragmented. From there, it takes a creative leap into the realm of the imaginary: how artists such as Drexciya have paved the way for thinking about the ocean not only as a tomb, but also as an archive, as a place of possibilities and future.

Inspired by Nkisi’s ongoing research into the ethnographic music archives (1893 till present), ‘Serpent Songs’ invokes the serpentine movements of sound and the migratory paths of its vibrations. The musical composition delves into the psycho-acoustics inherited from ancient musical traditions. Here, music emerges as an enchanted consciousness; a vessel for its mythopoetic remembrance. Inspired by the primordial snake ancestors of these ancient traditions who shaped landscapes, rivers, and hills, ‘Serpent Songs' traces the trails of music they left behind.