Cascais

Sopa de Pedra a Portuguese all-female vocal ensemble that explores the country’s oral traditions, passed down for generations by women through work songs, lullabies, ballads, and festive and religious songs. Their music is based on a cappella polyphony, sometimes accompanied by traditional percussion instruments such as the adufe and the pandeiro. Through their polyphonic arrangements, they breathe new life into a heritage long confined to the domestic sphere, bringing it to the forefront of contemporary stages, both in Portugal and abroad. Concert curated by Alain Weber.

In a DJ set shaped by dense atmospheres and subtle sonic drifts, PLO Man builds a sonic journey where house, techno, breakbeat and dub echoes intersect in a fluid way. Closely connected to the universe of Acting Press, a cult label within the underground electronic scene, he develops an approach attentive to texture, duration and the slow transformations of the dancefloor. The video projection of an original drawing by JAS expands this sensory experience.

An immersive performance where live drawing and sound unfold together. Through the collaboration between JAS and Pedro Moura, image and music merge into a shared sensory experience.

A contemporary dance event where everyone is invited to take part in a lively and joyful late afternoon full of movement. The audience learns, in just a few minutes, choreographies created by international artists, becoming performers themselves. Between learning and celebration, this collective format dissolves the boundaries between stage and audience, fostering connection, sharing, and the discovery of contemporary dance through direct experience.

In an immersive DJ set, CAROLF guides the audience through subtle sonic landscapes, weaving experimental textures, ethereal atmospheres, and sporadic rhythms. Her selection reveals a deep sensitivity to detail and mood. The experience is enhanced by video projections of JAS’s original drawings, creating a sensory dialogue where sound and image merge into a contemplative, ever-evolving universe.

Rosa lies inside an MRI machine. She is asked to think of a happy memory, something she doesn’t have. It is time to create one, by returning to her childhood, when her mother was arrested and accused of murder. And there they are, in a realistic reverie, travelling in an old hot dog van along the dirt roads of northern Brazil. Janaína Marques’ feature debut is a guided tour through a mind in turmoil, its landscapes and its wounds.