Piraeus - Athens

"Subantarctica" is an outdoor photography exhibition showcasing the work of Under The Pole’s scientific underwater expeditions. From Antarctica’s marine ecosystems to the makeshift laboratories set up on board, it tells the story of an adventure where the exploration of the most extreme oceans meets the beauty of the world it reveals.

In *The Starry Sand Beach* by Nina Barbier and Hsin-Chien Huang, set to original music by Armand Amar, discover the story of foraminifera—the microscopic organisms used to measure ocean acidification.​

Embark on a journey to the Golden Age of Alexandria, Athens, and Venice! This brand-new experience, developed exclusively for the Art Explora Festival by Ubisoft, allows you to dive into the past at the heart of 3 iconic cities at the height of their splendor.

In *Noir de Carbone* by Jérôme Waeselynck, follow the kite-ski expedition led by adventurer Matthieu Tordeur and glaciologist Heïdi Sevestre across 1,500 kilometers of the Greenland ice sheet.​

Enrico Gracias and his orchestra Los Fissa Papa, this is "La Fafara": the joyously infectious cumbia-rock-caliente street quartet that relaxes your cheek muscles, loosens up your legs, and sets crowds wild, turning any street corner into a supercharged dance floor! Come join the fan club of this great star singer, unfairly overlooked outside the many tax havens scattered across the globe (where he's nicknamed "El cantante del paraíso")!

Based in Le Havre and the surrounding area, the KoolCast Brass Gang marching band brings together volunteers from a variety of backgrounds, professions and age groups. Tasked with opening the festival, the band will parade in a loop around the site, passing through key points to draw in as many spectators as possible and lead the crowd to the heart of the event. Starting from Hangar Zéro, the parade will end at Quai de Marseille, on the festival site itself, giving way to the official opening and speeches.

Spontaneous Symphony for Barrels is a participatory sound happening where oil barrels and self-made instruments are offered to the audience as percussive objects, played with drumsticks. The performance unfolds as a spontaneous act—an impulsive eruption of sound without premeditation or external prompt. Rhythm and tempo emerge organically through the collective dynamics of the audience, transforming participation into process.

Antonis Vais, in collaboration with 12 performers of the ASFA Laboratory 12 (Professor Poka Yio), reclaim the pier of Gate E8 at the port of Piraeus. In this land’s edge, whose only border is the sea, they wish to reposition corporeality at the core of site-specific research. Seeking ways, situations, and conditions in which the individual, as part of a larger whole and as a unit, relates to the arrival, departure from, and stay in intermediate places of temporary habitation – such as the port – they activate a perpetual movement: that of the multitude, whose function aims to overemphasize the importance of transience.