Piraeus - Athens

In Athena’s Antennas, Chrysanthi Koumianaki, in collaboration with two performers, proposes a series of ephemeral public sculptures. Turning her gaze to the rooftops of Athens’ apartment buildings as the city’s edges, she imagines the buildings as bodies and their rooftops and balconies as limbs. The industrial equipment found there transforms into an evolving form of public sculpture, like a peculiar parasitic forest or an open-air sculpture gallery. Satellite dishes are translated into wicker hats and become props within an evolving stage setting.

Liquid Ports group show with works by Ileana Arnaoutou & Ismene King, Despina Charitonidi, Eleni Mylonas, Maria Nikiforaki

Alinda Dimitriou, Nikos Kanakis, Fournoi, A Female Society, 1983, 47′. On the island of Fournoi, in Ikaria, a researcher observes the lives of the inhabitants. He has neither a script nor prepared questions; he simply observes. The island thus comes alive before our eyes, through its inhabitants, their memories, their struggles, and their daily labor. 10 19:45>20:45

Arc Carrier is a site-specific sound performance that explores the relationship between electricity and acoustics, transforming invisible electromagnetic fields into sonic matter that resonates throughout space.

For Untitled (Figures) Lenio Kaklea embraces everything that is queer in her through a catalogue of danced figures (the cowgirl, leather culture, disco and the figure of the sailor) and pays homage to the capacity of queer cultures, teaching us to love the female body.

A far out live electronics set that attempts to save almost extinct folk ear bugs, by revamping and arranging them for voice, vocoder and modular synthesizer.