Piraeus - Athens

Un atelier de création de cartes postales autour de la mer pour les familles, inspiré des œuvres du Musée d'art moderne André Malraux - MuMa. À partir de chutes de voiles, les participants créent leurs propres petits bateaux sur fond de carte postale bleue.

A guided tour of the artworks of Un Été Au Havre for all publics. Let yourself be guided along the quays, discovering artworks from Un Été Au Havre inspired by Le Havre’s landscape and its maritime identity.

Led by anthropologist Géraldine Le Roux, this talk traces the metamorphosis of these "ghost nets": from lethal waste to memorial sculpture, woven with marine myths and the sacred bond that ties coastal peoples to the living world. Echoing the Muséum du Havre, home to Europe's first public collection of its kind, it reveals how contemporary Australian art transforms a global pollution into an ecological plea.

Five women stand motionless, faces streaked with tears. What grief do they carry — and does it truly belong to them? With Bouffées, Leïla Ka imagines how to heal the "incurable": not to erase it, but to transform it into collective strength and renewal. Created in 2022 for the Danse Élargie competition at the Théâtre de la Ville in Paris — where it won 1st prize — this striking 15-minute piece has since toured internationally, entered the repertoire of the Wiesbaden Ballet in Germany, and amassed over 15 million views on social media.

The proposed DJ set is not conceived merely as musical entertainment, but as a sonic extension of the event - a performance piece that engages in a dialogue with the featured artworks and artists, as well as the space hosting them.

“Level Up” is an excerpt from DUB, which Amala Dianor sees as an open, joyful, and utopian space for exploration, where diversity is a source of richness and people are beings seeking to share.

Spontaneous Symphony for Barrels is a participatory sound happening where oil barrels and self-made instruments are offered to the audience as percussive objects, played with drumsticks. The performance unfolds as a spontaneous act—an impulsive eruption of sound without premeditation or external prompt. Rhythm and tempo emerge organically through the collective dynamics of the audience, transforming participation into process.

Antonis Vais, in collaboration with 12 performers of the ASFA Laboratory 12 (Professor Poka Yio), reclaim the pier of Gate E8 at the port of Piraeus. In this land’s edge, whose only border is the sea, they wish to reposition corporeality at the core of site-specific research. Seeking ways, situations, and conditions in which the individual, as part of a larger whole and as a unit, relates to the arrival, departure from, and stay in intermediate places of temporary habitation – such as the port – they activate a perpetual movement: that of the multitude, whose function aims to overemphasize the importance of transience.