Rabat

Un atelier de création de cartes postales autour de la mer pour les familles, inspiré des œuvres du Musée d'art moderne André Malraux - MuMa. À partir de chutes de voiles, les participants créent leurs propres petits bateaux sur fond de carte postale bleue.

A guided tour of the artworks of Un Été Au Havre for all publics. Let yourself be guided along the quays, discovering artworks from Un Été Au Havre inspired by Le Havre’s landscape and its maritime identity.

Led by anthropologist Géraldine Le Roux, this talk traces the metamorphosis of these "ghost nets": from lethal waste to memorial sculpture, woven with marine myths and the sacred bond that ties coastal peoples to the living world. Echoing the Muséum du Havre, home to Europe's first public collection of its kind, it reveals how contemporary Australian art transforms a global pollution into an ecological plea.

Five women stand motionless, faces streaked with tears. What grief do they carry — and does it truly belong to them? With Bouffées, Leïla Ka imagines how to heal the "incurable": not to erase it, but to transform it into collective strength and renewal. Created in 2022 for the Danse Élargie competition at the Théâtre de la Ville in Paris — where it won 1st prize — this striking 15-minute piece has since toured internationally, entered the repertoire of the Wiesbaden Ballet in Germany, and amassed over 15 million views on social media.

The proposed DJ set is not conceived merely as musical entertainment, but as a sonic extension of the event - a performance piece that engages in a dialogue with the featured artworks and artists, as well as the space hosting them.

“Level Up” is an excerpt from DUB, which Amala Dianor sees as an open, joyful, and utopian space for exploration, where diversity is a source of richness and people are beings seeking to share.

Egyptian artist Mohammed Abdelkarim delegates his text We Shall Have a Bon Voyage which will be performed by slam poet Chaimaa Qaouioun and multi-instrumentalist musician Mourad Belouadi on the Bouregreg quay in front of the Art Explora boat.

An electroacoustic concert by Ahmed Essyad and Gilles Aubry at the Salle Gérard Philipe, Institut Français de Rabat. The concert programme highlights the convergence of traditional and avant-garde music in Morocco. Ahmed Essyad's electronic compositions, dating from the 1970s, evoke the popular music heard in Moroccan villages in the late 1950s. Gilles Aubry plays with modular synthesizers and an artificial intelligence sound generator. His piece is inspired by the song L'Makina by Haj Belaïd, a Chleuh raïss (poet-singer) from the 1930s.