Barcelona

Un atelier de création de cartes postales autour de la mer pour les familles, inspiré des œuvres du Musée d'art moderne André Malraux - MuMa. À partir de chutes de voiles, les participants créent leurs propres petits bateaux sur fond de carte postale bleue.

A guided tour of the artworks of Un Été Au Havre for all publics. Let yourself be guided along the quays, discovering artworks from Un Été Au Havre inspired by Le Havre’s landscape and its maritime identity.

Led by anthropologist Géraldine Le Roux, this talk traces the metamorphosis of these "ghost nets": from lethal waste to memorial sculpture, woven with marine myths and the sacred bond that ties coastal peoples to the living world. Echoing the Muséum du Havre, home to Europe's first public collection of its kind, it reveals how contemporary Australian art transforms a global pollution into an ecological plea.

Five women stand motionless, faces streaked with tears. What grief do they carry — and does it truly belong to them? With Bouffées, Leïla Ka imagines how to heal the "incurable": not to erase it, but to transform it into collective strength and renewal. Created in 2022 for the Danse Élargie competition at the Théâtre de la Ville in Paris — where it won 1st prize — this striking 15-minute piece has since toured internationally, entered the repertoire of the Wiesbaden Ballet in Germany, and amassed over 15 million views on social media.

The proposed DJ set is not conceived merely as musical entertainment, but as a sonic extension of the event - a performance piece that engages in a dialogue with the featured artworks and artists, as well as the space hosting them.

“Level Up” is an excerpt from DUB, which Amala Dianor sees as an open, joyful, and utopian space for exploration, where diversity is a source of richness and people are beings seeking to share.

Adrasha’s project mebrat / መብራት explores the figure of the lighthouse as a symbol of guidance and border, translating its pulses of light into rhythms. Through field recordings, visual poetry, and personal archives, she articulates soundscapes that address displacement, communication, and belonging from a political and sensory perspective.

The show takes its title from a song by Ibrahim Hesnawi, a Libyan reggae pioneer who started a musical movement that suffered political violence after Gaddafi's "Cultural Revolution" in the 1970s, when music was produced exclusively to serve the ideological propaganda of the state. The collaboration between Libyan artists Tewa Barnosa and boo.m is a sonic quest to explore reggae as a site of resistance in a time when pan-African solidarity is eclipsed and punished by imperial systems.